Amazed, exhausted, happy,
annoyed, surprised, tired, excited and hungry for more were those
feelings which lead us all the way through this beautiful island. With the taste of super
delicious fruits, magazines in our hands, endless conversations and home smelling cheese sandwiches our journey in Sri Lanka continues with …
Sigiriya (Day 5)
History says
Sigiriya rock was a palace of ancient king Kassapa (middle of 1st
century) who drove his elder brother Mogallana into exile in India, imprisoned
and killed his father king Dhatusena. Kassapa on the top of 200 m. rock constructed
a pleasure palace as well as impregnable fortress expecting it to emulate with
Kubera’s (god of wealth) adobe.
Local guides
say that ancient kings used to live in palace near the rock and called them
Summer Palace. Here smart drainage system solutions are proven by the remains
of perfectly shaped water gardens and fountain gardens.
While we were climbing
beautiful Sri Lankan scenery was taking our attention, helping to forget tired
legs and loose the number of countless stairs formed from the rock itself, or made
out of a metal. We reached another attention point – island’s most famous
frescoes, more known as Sigiriya Damsels. This fame they've got from being only
ones non-religious painting survived from ancient Sri Lanka. Painted in 5th
century Sigiriya Damsels are most reproduced iconic images here.
Icons are
pretty simple and similar to some murals at Caves in India, they are showing
ancient girls scattering petals and offering flowers and trays of fruit.
Nevertheless, attention grabs some painting ‘mistakes’ – one damsel has three
hands, while another sports three nipples.
Moving on we have reached The Lion Platform. Previously
it was a lion statue and final stairs lead to the mouth of the animal and
reached the summit. And so did we. In the summit the remains of Winter Palace
look unbelievable. Ancient Shingalese had pools and were able to channel water
using an ingenious hydraulic system powered by windmills from the source around
6 kilometers away from the rock. This hydraulic miracle is still a question for scientists and is a reason to call Sigiriya Rock the 8th World Wonder.
Nevertheless, nothing amazed us more than the most spectacular view you are
able to see from this rock. Freedom, endless horizons, you being so small and
at the same time feeling so powerful; amazement, contemplation about you and
your life and the feeling “I will come back here one day” are what I was left
with, I believe, as well as my travel mates were.
Dambulla
Speechless
from the beauty of Sigiriya we left to another must-see destination point - Dambulla cave temples. The temples here are like little masterpieces of
Sinhalese Buddhist art. That’s what I have told to girls and completely forgot
to mention Golden temple standing in the front with enormously big Buddha
statue and, to my eye, totally unnecessary Chinese looking dragon-lion-like
beast stair entrance to the Golden Temple Buddhist Museum. I was told that this
kitschy ensemble is a gift from China. Inside we could witness Sri Lankan art
and cultural development testimonies, but rather than that our attention caught
local people and once already mentioned Cave temples which we first had to
reach by climbing up to the top of the rock. Luckily, this didn’t appear such a
big task.
I was happy to show Dambulla to my girls and enjoy it for the second time. Before that I have already been here with few interns, Sri Lankan friends and a Buddhist monk in our crew, but that’s a different story to tell. So with the trust and a guide book in my hands I was telling stories about all 5 caves.
The first one,
Devaraja Viharaya, or “Temple of Lord of the Gods”, is named after Vishnu and
is filled with 14 m. long sleeping and couple of smaller Buddha statues. This
cave looks like a kids play room compering to 50 m. long Maharaja Vihara, or “Temple
of the Great Kings” colourfully painted cave with Singalese kings and Buddha
statues. There is also a pot which never runs dry. Drops from the ceiling are filling
it unconditionally to any seasonal droughts.
“Great New
Temple” reaches its height of 10 m. and is filled with big and various, again, Buddha
statues, and several murals too. Much smaller cave is no 4 (Paccima Vharaya, or
“Western Temple”). Beside couple Buddha’s heavily painted walls and ceilings it
has a small dagoba in it, which by belief contains jewellery of ancient kings
and queens. And the last cave, called Devana Alut Viharaya (“Second New Temple)
has 10 m. reclining Buddha.
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